I translate classical music scores into vibrant digital artworks, where sound becomes visible and composition takes form through colour.

Each note in the scale is assigned a specific colour, and every band of colour corresponds to the pitch and duration of a note. The result is a rhythmic, layered visual language - systematic in its construction, yet expressive in its effect.

This process is rooted in a hypothesis: that when a piece of music is beautifully composed - structurally sound and melodically compelling - its visual counterpart will hold an intrinsic harmony and aesthetic coherence. My method remains consistent across all works, allowing each piece to be both unique and comparable within the same visual framework.

My artworks are printed on ChromaLuxe, a high-definition metal medium that enhances the depth and luminosity of colour, lifting the work beyond the flatness of a 2D surface. The finish allows the vibrancy to sing, creating a tactile, immersive experience for the viewer.

People engage with the work in a range of ways. Some choose to listen to the music while tracing the artwork left to right, following the progression of sound through colour. Others connect through the emotional impact of the palette alone, drawn in by the intensity, rhythm, and radiance of the visual field.

At its heart, my work explores the architecture of music, revealing the hidden symmetry, emotion, and movement embedded in sound. Each piece offers a new way of experiencing classical music: not only hearing it, but seeing and feeling it too.

This year, I'm collaborating with São Rafael Galleries on a variety of exhibitions and events - from the Art Biennale Sur Mer to a New York fashion show on a boat, and wearable art heading to Osaka Weave, it's all happening!

If you would like to follow my artist journey and upcoming events, you are welcome to join my ‘Drawing Music’ mailing list. I’m giving out a free ChromaLuxe bookmark to new subscribers (while stocks last!). Link below⬇️